Traditional poetry was subject to many rules, such as rhyme, which were obstacles hindering the free flow of thought. A poet had to forsake many beautiful fantasies and ideas just because they would not rhyme. Ruwanga in contrast allows the poet to let his fantasies soar and even overcome the boundaries of language. The poet has nothing more man words to illustrate his philosophy. The same words must lend a melody to his thoughts, because "a poem without music is like a bird without song", says Bekas.

In 1975 Bekas introduced the term "poster poems" - a term originating from sculpturing and painting. Most of these poems are short. Small or seemingly trivial objects can convey great mysteries. Everything in these poems is alive. In the beginning thoughts are often depicted vaguely, the poet rouses the reader's curiosity and fantasy. Then the poem culminates in a surprising climax, which sometimes comes as a bit of a shock, hi which the mystery of the poem is solved.

Literary critics in the orient have called such poems "As-sahil al-mumtana", the Arabic term for "the simple, yet unattainable".

Women enjoy a special status in Bekas' poetry. He says, "if you take away women from the world of poetry, it suffocates, just like fish if they are pulled from the water. The women's feelings, their friendship and love become a rainbow for the poet, which makes the talent more colourful and enriches the fantasy.

In my youth I have looked upon women like from a window with a romantic view. But life experience has taught me that women are not only the source of a poet's romantic fantasies, but first of all the other wing of life, an endless source of energy, the origin of happiness and the strength of fight.

To me a woman's braid resembles s tree in Kurdistan, a girl's eye a spring at the foot of a mountain, and the face of an old woman, who mourns the death of her child, resembles a burnt garden. All these images turn into the songs of my poems.

 

   <<<       >>>